My pecan tarts, know that last night I went to see it film last week (because I'm not afraid of being has-been, as it is about a week or two): Black Swan so. Or how Natalie Portman will have the Oscar for Best Actress (Annette Bening unless just pipped at the post by surprise at the last second).
I know not many Darren Aronofsky. Requiem For A Dream, I never had the courage. Decaying arm of Jared Leto, no thank you. The Wrestler and staples, either. Black Swan not too exception to this trend anxiety to maim the bodies of his performers, and it is both what bothered me the most and what really grabbed me in the plot of this latest film. Namely, or sense that things will happen Gore has a knack for keeping me awake is what allows Black Swan being pompously called thriller, then it's just the story, quite clearly intended as such, a girl who becomes schizophrenic.
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| Moreover it shows ... |
So the Natalie Portman plays the role of Nina, a ballerina of the New York City Ballet. It has been four years since she was pissed with discipline in the ranks of pretty dolls without forms, without buttocks and no boobs who inhabit this fascinating tribal arts. Without knowing the ballet, we already know that this environment requires a lot of control over her body, deprivation and hardship, in a sort of quest for absolute beauty which we poor mortals fed Big Macs and bullshit blogging, are quite incapable. And then, Nina, it's been a little four years, like all others, it bides its time.
And his hour comes, as the company decides to splash his old Beth star (Winona Ryder, disturbing) to "offer world a new face juvenile charges. Choreographer perverse (Vincent Cassel, grotesque as often in English, but apparently I'm alone in thinking) wants to get "his" version of Swan Lake, and chose the dual-role Senior pitcher Nina's nice for his technical mastery and its potential, but finds she has a broom in the ass. What is not annoying to play the white swan, but more difficult to enter the skin of the sensual and manipulative black swan ... Nina will therefore have to exceed it in its search for potential wife ... in short, that from there it escalates.
Drama behind the scenes, crepe buns ( Showgirls girls distinguished?) Madness back but more and more evident: in the end nothing really revolutionary, but all (or almost) is in the interpretation. By placing the viewer in the eyes of Nina (we do not leave an inch of the whole movie), the director has fun: more and more frequently, we see that strange things happening to the point you end up not tell the difference between reality and hallucinations. Obviously, this role, this expectation, desire, all is not insignificant for Nina. That is suggested, with big hooves, at throughout the film, sometimes with rifle shots: the abusive mother who was passing in his career as a dancer and pushes her daughter to live for her ringing phone, the rival sensual and confident with his black wings tattooed on the back (Mila Kunis, former That 70's Show , very very good), the box probably listened to music since childhood, swans stuffed in the little girl's room ...
short, Nina finally the role of his Laif, it did not really have the right to plant if not his life will be meaningless, she has a little pressure, will stands head and will have to cross (and us) his fear of success, to overcome his anxieties, his growing paranoia, his body as it seeks ...
Personally, I have primarily been amazed by the performance of Natalie Portman, remaining somewhat indifferent to glaucous Grand Guignol a little worn from Aronofsky. Carrying the film from beginning to end (since the film is to follow and to "live" what she saw), it goes by many states and manages to make us marry his state of mind, his neuroses and anxieties . The ending is a bit bazardée but experience that the film takes us through the side of the little Natalie is a tour de force. When we remember also benefit as previous V for Vendetta, Closer or Star Wars ... One wonders how Hollywood could do without reward this actress already entered the history of cinema, capable of almost anything without abandoning his look slightly worried.
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